CONTENT SHOWS & EVENTS RELEASES EXPOSURE INFO

 







R-U-In?S UNDERGROUND ECONOMIES, BUCHAREST
CATCH AND RELEASE AT DARSA COMFORT, ZURICH TROLL AT ENVOY ENTERPRISES, NEW YORK INDEX OF POTENTIAL FOR FULL OPERATIONAL TOOLBOX, ATHENSMULTIPLEX by VVORKR-U-In?S KIOSK FOR WORLD EXPO 2010 SHANGHAI

SOFT LIMITSEXHIBITION WHITE, SEOUL, SOUTH KOREA


OCTOBER 2015
PWRPLANT FUNDRAISER
Hitashya XLTE Live Set
Cthonian urgency, Blood Rave, #thefastestnetwork
Along w Shyboi, Junglepussy, HD, and many others
Curated by Angelina Dreem


OCTOBER 2015
LE CORBUSIER TOPICAL CREAM SWISS INSTITUTE AFTERPARTY
Wyndham Garden, NYC
Live Sets by Hitashya (Kari Altmann), LaFawndah, Juliana Huxtable
Curated by Lyndsy Welgos

 

 

SEPTEMBER 2015
NO INTERNET, NO ART
Book Launch and Reading, Swiss Institute, New York
Soft Brand Abstracts: Closer Than Ever Before
Curated and Invited by Melanie Buhler


 

JULY - SEPTEMBER 2015
BIENNIAL OF THE AMERICAS, Denver
HITASHYA: FIELD GOALS Installation and Live Set
Curated by Lauren Wright

 


JUNE 2015
ARTIST TALK, Artists Space, New York
Invited by Hito Steyerl as part of her solo exhibition
In conversation with Ruth Saxelby, Editor at the Fader
APRIL 2015
BLAME IT ON THE ALGORITHM
Panel at Rijksakademie, Amsterdam
Organized by Kari Altmann and Wytske Visser
Moderated by Melanie Buhler

 

 

MARCH 27-MAY 2, 2015
XOMIA
(RETURN HOME, REALFLOW, ALL TERRAIN)
SOLO SHOW @ ELLIS KING, Dublin

OPENING NIGHT MARCH 27 6-8 pm
Featuring performers Colin Self and Molly Mccommons






 

 

 

DECEMBER 2014
REALFLOW I @ The White Building, London
feat. Kari Altmann (Hitashya), Emily Jones (Birds of Syria), Melika Kolongo (Nkisi)
Realflow is an event series focused on live audio and performance sets: readings of artist texts, music and dj sets, and beyond


 

   

NOVEMBER 2014
Extinction Marathon @ Serpentine Gallery, London
Curated by Ben Vickers

FLEXIA Commission and Release

 

NOVEMBER 2014
DO YOU FOLLOW? ART IN CIRCULATION @ ICA, London

Featuring Kari Altmann, Alex Bacon, Hannah Black, Michael Connor, Constant Dullaart, Renzo Martens, Monira Al Qadiri (GCC), Derica Shields, Takeshi Shiomitsu, Martine Syms, Christopher Kulendran Thomas and Amalia Ulman

Curated by Michael Connor

AUGUST-NOVEMBER 2014
MEGARAVE @ KUNSTHAUS LANGENTHAL, Basel
Curated by Raffael Dorig

Featuring: RESTING POINT

MAY-JUNE 2014
BRANDS: CONCEPT, AFFECT, MODULARITY at Salts Center, Basel



Kari Altmann, Florian Auer, David Jablonowski, Pierre Lumineau,
Metahaven, Pamela Rosenkranz, Anne De Vries
Curated by Melanie Buhler

Featuring TTOSHIBAA: 10,000 Impressions


 


 

MARCH-MAY 2014
ART POST INTERNET at UCCA, Beijing

Aids-3D, Kari Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanovi?, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur SiQin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, and Jordan Wolfson


MAY 2014
SEVEN ON SEVEN, New Museum, New York


Keynote by Kate Crawford
Projects by
Kate Ray & Holly Herndon
Aza Raskin & Kari Altmann
Avi Flaumbaum & Hannah Sawtell
Jen Fong Adwent & Ian Cheng
Nick Bilton & Simon Denny
David Kravitz & Frances Stark
Kevin Mccoy & Anil Dash

 

FEBRUARY 2014-ONGOING
SOFT MOBILITY ABSTRACTS, New Museum and online

 

 

MARCH 2014
MATERIAL IMAGES AT VOGT, New York
curated by Nate Hitchcock

 

DECEMBER 2013
NEUROMAST by Taliesin Bower

Kari Altmann, Christian Bök and Micah Lexier, Ingrid Burrington, Kaye Cain-Nielsen, Mircea Cantor, hint.fm, David Horvitz, Brian House and Jason Rabie, Juliana Huxtable, Thilde Jensen, Carolyn Lazard, M. M. Mantua, Preemptive Media, Robert Spahr, Elizabeth Stephens and Annie Sprinkle, and The Waterwhispers Ilse

 

NOVEMBER 2013
Liberator Leyio 3D Printed for
OPEN SHAPE III

Bea Fremderman, Yngve Holen, Iain Ball, Juliette Bonneviot, Timur Si-Qin, Jasper Spicero, Filip Olszewski + Dylan Abel, Kareem Lotfy, Kari Altmann

 

 

 

NOVEMBER 2013
VITAL CONTENT: BIOWAR
and HITASHYA: HEATHER WILL FIX THIS!
PERFORMING THE ARCHIVE @ Skogen, Gothenburg

PWR, KARI ALTMANN, ELINA MINN, AUDE PARISET, JULIETTE BONNEVIOT, BUNNY ROGERS, YOGA CENTER, FREDRIK GUNVE, JASPER SPICERO, SCHUTÜTEHEMD, JENS RECORDS, JON RAFMAN, RIKSARKIVET

   

APRIL 2013
FUTURE MYTH @ 319 SCHOLES, New York

What’s the state of the modern myth? How do myths proliferate, what do we use to represent them, and what’s the cultural value of storytelling? FUTURE MYTH presents digital artists engaged in contemporary myth-making who are using the gallery as a way to navigate, define, and discuss the current landscape of mythology and its relevance in our technologically dependent lives.

 


 


APRIL 2013
COMMUNICATING THE ARCHIVE: SESSIONS, VITAL CONTENT: ALIENWARE
@ REGIONAL STATE ARCHIVES, Gothenburg

Biological and mythical language drenches the interfaces between us and today's technology and products, but what cultural logic lives behind an array of selected profile images, a meme on Tumblr, or a cluster of Google image search results? Artist Kari Altmann talks us through an exploration of content management, algorithms, brands, and current visual cultures which must contend with these structures, using examples from her own oeuvre and beyond. She will focus on the idea of vitality as it relates to identity and survival in today's informational ecosystem.

COMMUNICATING THE ARCHIVE: SESSIONS is a lecture series presented by the Regional State Archives in Gothenburg and the School of Design and Crafts, University of Gothenburg. Curated by Gluey-C.

NOVEMBER 2012
HEALTH @ TWELVE AROUND ONE, London
Kari Altmann, Joel Beach, Samuel Fouracre, Marlie Mul

When finally static, these images belie the haphazard route to the present they inhabit, and in order to remain healthy, they must constantly renegotiate the terms of their own reconfiguration. What is lost and what is gained remains part of the play, and also gets left behind as part of the process, allowing images to leap between reference points and settle amongst new terrain, whilst all the time remaining porous to changes in the environment and within their own physiology.

Curated by Majed Aslam

Health

NOVEMBER 2012
STYLE IS THE TAILOR @ AMERICAN MEDIUM, New York

Kari Altmann, Benjamin Phelan, Travess Smalley, Borna Sammak

At a time when the flood or drought of Credit serves as the prevailing force determining the creation of form and object, we’ve forgotten that we are apples of the earth, blooming and dying free, and that our flesh is still here, holding up the geometry of faces better off bare.

Produced and hosted by American Medium

STYLE IS THE TAILOR
Tracking Slab #02 (Smart Mobility) Created on Occasion for S.i.t.T.

Style is the Tailor

 

OCTOBER 2012
VITAL CONTENT: HYPER ZOOM @ UNION DOCS, New York
Screening and Presentation with Jacob Gaboury and Nick Lalla

OCTOBER 2012
COLLECT THE WWWORLD III, New York
by Domenico Quaranta


HITACHIA VENOM ID with performers Ruth Gruca and Genevieve Belleveau

 

 

 

AUGUST 2012-ONGOING
SOFT REVEAL of SMART MOBILITY @ 131 CHRYSTIE, New York

 


MAY 2012
MOTION @ SEVENTEEN GALLERY, London

May 17-June 23
PV Thursday 17th May 6pm

Kari Altmann, Merce Cunningham, Harm van den Dorpel, Michael Guidetti, Oliver Laric, Mark Leckey, Sean Raspet, Emanuel Rossetti, Hito Steyerl, Artie Vierkant

Curated by Ceci Moss and Tim Steer

The object that exists in motion spans different points, relations and existences but always remains the same thing. Like the digital file, the bootlegged copy, the icon, or Capital, it reproduces, travels and accelerates, constantly negotiating the different supports that enable its movement. As it occupies these different spaces and forms it is always reconstituting itself. It doesn't have an autonomous singular existence; it is only ever activated within the network of nodes and channels of transportation.

Both a distributed process and an independent occurrence, it is like an expanded object ceaselessly circulating, assembling, and dispersing. To stop it would mean to break the whole process, infrastructure or chain that propagates and reproduces it.

The object in motion becomes the simultaneous obfuscation and revelation of the points that sustain it. It's both completely transparent and completely mediated. Transparent because it ignores the different instantiations and embodiments that require it to exist across a material infrastructure and mediated because of its dependency on these multiple parts to exist at all. It flows through networked channels, forgetting any idea of a singular autonomy.

Featuring recently updated versions of "Black Hole" and "Where Is the Blood?"


Installed with "Points in Space" by Merce Cunningham, "Made in 'Eaven" by Marck Leckey

 

MARCH 2012
GLOBAL ART FORUM SIX AT ART DUBAI 2012
Mathaf: Arab Museum of Modern Art, Doha, UAE
and Madinat Jumeirah,
Dubai, UAE

artdubai

jemsheed

"Jemsheed" Commissioned Powerpoint translation of
response video for Ayshay (Fatima Al Qadiri)


POWERPOINTING YOUR CREATIVE MEDIUM POTENTIAL by Victoria Camblin

PowerPoint is omnipresent. From bored boardrooms and continuing education seminars to military briefings at the Pentagon and in Kabul, with art fairs in between. Editor/art historian Victoria Camblin has curated a special series of PowerPoints, created collaboratively by contemporary artists, writers, creative entities and duos, that celebrate, critique and creatively exploit the medium's strange, story-telling familiarity.

PowerPointsTM by writers and artists including Ayshay+Kari Altmann, Douglas Coupland (Keynote), Goldin & Senneby, LuckyPDF and Alex Provan (Triple Canopy)

 


MARCH 2012
COLLECT THE WWWORLD II @ HOUSE OF ELECTRONIC ARTS, Basel
Curated by Domenico Quaranta


Collect the WWWorld is an attempt to show how art responds to the society of information.

Collect the Wwworld I:

Alterazioni Video, Kari Altmann, Cory Arcangel, Gazira Babeli, Kevin Bewersdorf,
Luca Bolognesi, Natalie Bookchin, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Jodi,Oliver Laric, Olia Lialina & Dragan Espenschied, Guthrie Lonergan, Eva and Franco Mattes, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin

Collect the Wwworld II:

Alterazioni Video (I), Kari Altmann (USA), Kevin Bewersdorf (USA), Luca Bolognesi (I), Adam Cruces (CH), Aleksandra Domanovic (D), Harm van den Dorpel (NL), Constant Dullaart (NL), Hans-Peter Feldmann (D), Elisa Giardina Papa (I), Travis Hallenbeck (USA), Admir Jahic & Comenius Röthlisberger (CH), Jodi (NL), Olia Lialina & Dragan Espenschied (D), Guthrie Lonergan (USA), Eva and Franco Mattes (I), Alexandra Navratil (CH), Seth Price (USA), Jon Rafman (USA), Claudia Rossini (I), Evan Roth (USA), Travess Smalley (USA), Ryan Trecartin (USA)

ctw


 

 

JUNE 2011
R-U-In?S: UNDERGROUND ECONOMIES @ Atelier 35, Bucharest

ruins
Remotely art directed by Kari Altmann
Hosted and produced by Silvia Saitoc and Matei Samihaian

 

The R-U-In?s: Underground Economies exhibition focuses on different strata of value exchange, be it through outsourcing memes in online databases or the illicit aggregation of products into a black market of critical attitudes. The main purpose of the project is to extract the underlying mechanisms of trading and branding networks that parallel the mainstream apparatuses, both in the realm of artistic production and the ecology of the global market.

R-U-In?S Underground Economies


Kari Altmann (R-U-In?S, SONIA, SSHARPP),
Iain Ball and Emily Jones (ENERGY PANGEA),
Sam Hancocks (VISUAL AIDS), Matteo Giordano (SONYHD, X2MX),
Sebastian Moyano (DATEISMO, SORRY)

 

 

JUNE 2011
ABRAK48DABRA at PPOW Gallery, New York
for K48, curated by Scott Hug

Joseph Whitt, Nicholas Messing, Chadwick Moore, R-U-In?S,
House of Ladosha, Mirror Mirror



Customized R-U-In?S VIdeo Screener featuring audiovisual work and favs from:
X2MX (Matteo Giordano), Philips 2013 (Iain Ball),
Blackmoth.org (Kari Altmann),
R-U-In?S.ORG (Kari Altmann), Hydrothermal Emerald (Emily Jones),
Energy Pangea (Iain Ball), Visual Aids (Sam Hancocks)

Runtime: 30 minutes

MAY-JUNE 2011
CORE SAMPLES at Extra Extra, Philadelphia



Custom sample pack for the showroom of Extra Extra



JULY 2010
TROLL, Envoy Enterprises, New York
Curated by Keehnan Konyha and Jacob Gaboury

TROLL is a group exhibition that examines the act of trolling as a sexual, cultural, and ethical practice. To troll is to sift through image and text, filtering and re-contextualizing subject-significant objects; it is baiting and malicious comment made behind the anonymity of the Web, soliciting argument for the purpose of breakdown and chaos; to troll is sexual practice, to cruise for sex, to seek partners anonymous or otherwise.



Jacob Meehan, Brad Troemel, Kari Altmann, Andrew Laumann, Michael Magnan, Patrick Dyer, Dylan Reece, Chris Udemezue, Scott Hug, Ben Schumacher, Cody Critcheloe, Chris Bogia, Matt Lifson, Jarrod Beck, Elijah Burgher, Daniel Leyva, Lazaro Rodriguez, Ben Aqua, Da Sul Kim, Travess Smalley, Mark Spalding, Kristin Smallwood, Ivan Lozano, Khalid Al Gharaballi, Shawn Maximo, Borna Sammak, Fatima Al Qadiri, Jason Villegas, Paul Cupo, Venus Jazmin Soto, Adam Radakovich and Anthony Thornton

JUNE 2010
CATCH & RELEASE @ Darsa Comfort, Zurich

By Fredi Fischli, Lorenzo Bernet, Carmen Tobler, Till Forrer, Yannic Joray
with Iain Ball and Kari Altmann (remotely)



MAY 2010
INDEX OF POTENTIAL
for FULL OPERATIONAL TOOLBOX @ Miltiadou 21, Athens
Curated by KERNEL

iop
"R-U-In?S Catalogue #001"

The works presented in Full/Operational/Toolbox highlight and realize, each one on its own terms, ideas and creative strategies that concern the management of the artistic work primarily as "information''. The works, thus, set out new conditions for the access and distribution of culture and of the audience's participation. Exploring the dynamics and the status of these creative activities, Full/Operational/Toolbox aims at functioning as a platform for debate on ways of management of the cultural product in terms of directness and immediacy, as well as on the reconsideration of material and institutional processes and limitations.

List of participants (updated continuously): AAA, Alexandros Mistriotis, Angelo Plessas, Amalia Ulman, Anne de Vries, Aristides Antonas, Artie Vierkant, Billy Rennekamp, Boabooks, Chris Coy, Christopher Marinos, Damon Zucconi, David Horvitz, Delta, DigitalCrafts, Eleni Tzirtzilaki, Fred Turner, Gareth Long, Georgia Sagri, Hanne Mugaas, Harm van den Dorpel, Jhbjhb, Kari Altmann, Kazeros Nikos, KENREL, l.blissett, Marisa Olson, Mark Tribe, Michalis Paparounis, Oliver Laric, Pantelis Giannakis, Pegy Zali, Petros Moris, Sdddff, Theodoros Giannakis, Theodoros Kovaios, Vassiliea Stylianidou, Vuc Cosic, Wark, X, Yiannikos Vasiloulis, Yiannis Arvanitis, Yota Ioannidou

iop

 

 

 

 

 

 

 

SUMMER 2010
PROPOSED R-U-In?S KIOSK FOR WORLD EXPO, Shanghai

 

APRIL 2010
MULTIPLEX @ Peer to Space, Munich
Curated by VVORK.COM

Multiplex

Paul Chan, Michael Bell-Smith, Timur Si-Qin, Agnieszka Polska, Guthrie Lonergan, Rafael Rozendaal, Constant Dullaart, Charles Broskoski, Joel Holmberg, Kari Altmann, Hayley Silverman, Petra Cortright, Anouk Kruithof, Harm van den Dorpel, Michael Aschauer, Carla Edwards, Damon Zucconi, Laura Brothers, Ken Seeno, Eve Essex, Chris Collins, Matthieu Clainchard, Alex Delany, Brock Davis, Billy Rennekamp, Dena Yago, Jason Lee, Annika Larsson, Manuel Gorkiewicz, Will Rockel and John Michael Boling

Multiplex

"Liquidation 001" and "Exotic-A"