CONTENT SHOWS & EVENTS RELEASES EXPOSURE INFO

 

 

 

 

April 2016
SOFT MOBILITY commissioned spread for ART PAPERS March/April 2016 Issue

 

 

April 2015
FLEXIA XLE (III) for XOMIA at Ellis King Gallery

November 2014
FLEXIA II for Serpentine Gallery's Extinction Marathon


Flexia II
September 2014
TTOSHIBAA: 10,000 Impressions (2008-still going) for Idle Screenings

February 2014
Soft Mobility Abstracts for FIRST LOOK by the New Museum

 

11.00.2013-12.00.2013
IDPURE MAGAZINE ISSUES #32 and #33
POSTWESTERN
"GSX REMIXES" and "SOFT BRAND ABSTRACTS"

 

11.00.2013
COMMUNICATING THE ARCHIVE: PHYSICAL MIGRATION, Gothenburg

Works / Texts by Ida Lehtonen, Lisa Ehlin, Sandra Rafman, Kari Altmann, Jon Rafman, Michael Shanks, Artie Vierkant and Karl-Magnus Johansson (ed.)


Published by the Regional State Archives in Gothenburg, a division of the Swedish National Archives

07.00.2013
HITASHYA: HEATHER WILL FIX THIS! MIX

 

07.00.2013
PIG QUARTERLY ISSUE #3, Milan

This issue seeks to identify what “new” means to us today as well as our new paradigms. To achieve this, we asked a bunch of contemporary artists and image makers to give us their vision of things.

Fatima Al Qadiri, Kari Altmann, James Howard, Jon Rafman, Nate Boyce, Kate Steciw, James Ferraro, collectives like The Jogging, American Medium, Logo, etc.

03.12.2013
TROPING: THE JAILBREAK GESTURE
for AMERICAN MEDIUM, New York
Featuring content from Aude Pariset, Jasper Spicero,
Samin Son, and Kari Altmann

Troping: The Jailbreak Gesture

03.00.2013
SOFT BRAND ABSTRACTS: CLOSER THAN EVER BEFORE
Reblogged in print by NERO Magazine Issue #33, RomeNero Magazine Soft Brand Abstracts

Read text here:

 

 

11.09.2012
SOFT BRAND ABSTRACTS: CLOSER THAN EVER BEFORE
Commissioned for PLATFORM by the Hirshhorn Musuem & Goethe Institute

Soft Brand Abstracts

Soft Brand Abstracts

Soft Brand Abstracts

07.26.2012
ACCIDENTAL PURPOSE Compendium, London

Accidental Purpose Compendium

07.00.2012
R-U-In?S S O N I A Shirt, Limited Edition of 50, New York

S O N I A

 

04.04.2012
JEMSHEED POWERPOINT VERSION 1
Screencast video recording of Powerpoint from Global Art
Forum 6 at Art Dubai debuted on Dis Magazine, New York


Jemsheed

Also featured on the ART DUBAI BLOG

Along with a few additional thoughts on Powerpoint from Victoria Camblin

 

02.06.2012
CORE SAMPLES BEHIND THE SCENES
A content reveal from the back end of the Core Showroom
Requested by Dis Magazine, New York

 


 

FALL 2011 (2012 RELEASE)
REPLAY DVD for COMPILER #4 by Raffael Dörig, Basel
distributed by MOTTO, Berlin

DVD PAL 16:9, No Region Code, 78 Minutes
ISBN 978-3-9522859-3-0



09.01.2011
Printed edition of POST INTERNET by Gene Mchugh, New York
Published by and with intro by Domenico Quaranta, Milan




Writers: Gene Mchugh, Domenico Quaranta

09.01.2011
COLLECT THE WWWORLD CATALOGUE by Domenico Quaranta, Milan


The last decade has seen an incredible growth in the production and distribution of images and other cultural artefacts. The internet is the place where all these cultural products are stored, classified, voted, collected and trashed. What is the impact of this process on art making and on the artist? Which kind of dialogue is going on between amateur practices and codified languages? How does art respond to the society of information?

This is a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness.

Writers: Domenico Quaranta, Gene McHugh, Joanne McNeil, Josephine Bosma


01.28.2011
POST INTERNET SURVIVAL GUIDE by Katja Novi, Amsterdam/Berlin


pisg

Post Internet Survival Guide 2010 is a guide to ecology and perpetual battle for survival of various formats—species, identities, ideologies, brands, social networks, styles, natural disasters, memes, and technologies—in 2010.

The book features texts and works by AIDS-3D, Aaron Graham, Adam Cruces, André Carlos Lenox & Evan Lenox, Anne de Vries, Artie Vierkant, Brad Troemel (The Jogging), Brian Khek, Constant Dullaart, Chris Coy, Chris Lee, Christian Oldham, Damon Zucconi, Daniel Chew, Emily Jones, Gene McHugh, Iain Ball, Jaakko Pallasvuo, Jack Latham, Jacob Broms Engblom, John Transue, Jon Rafman, Kareem Lotfy, Kari Altmann, Kate Steciw, Katja Novitskova, Lauren Brick, Lorenzo Bernet, Laurence Punshon, Louis Doulas, Martin Kohout, Matei Samihaian, Matteo Giordano, Micah Schippah, Mike Ruiz, Orlando Orellano, Pierre Lumineau, R-U-INS?, Rachael Milton, Sam Hancocks, Sebastian Moyano, Sterling Crispin, Tabor Robak, Timur Si-Qin and Yannic Joray.

 

 

INDEX OF POTENTIAL POSTER VERSION by KERNEL, Athens

AAA, Alexandros Mistriotis, Andreas Angelidakis, Angelo Plessas, Anonymous, Amalia Ulman, Anne de Vries, Aristides Antonas, Artie Vierkant, Betty R, Billy Rennekamp, Boabooks, Chris Coy, Christopher Marinos, Damon Zucconi, David Horvitz, Delta, Dibbell, DigitalCrafts, Eva Papamargariti, Fred Turner, Gareth Long, Georgia Sagri, Hanne Mugaas, Harm van den Dorpel, Hector Llanquín, Jhbjhb, Kari Altmann, Kazeros Nikos, KENREL, l.blissett, Louis Doulas, Maria Sarri, Marisa Olson, Mark Tribe, Mediafire, Oliver Laric, Otto von Busch, Pantelis Giannakis, Pegy Zali, Petros Phokaides, Petros Moris, Sdddff, Theodoros Giannakis, Theodoros Kovaios, Timur Si-Qin, Thomas Hämén, Vassiliea Stylianidou, Vuc Cosic, Wark, WoM, X, Yiannikos Vasiloulis, Yiannis Arvanitis, Yota Ioannidou


 

 

12.2010-Ongoing
R-U-In?S CATALOGUE #002: UNBOXING AT R-U-InS.ORG



R-U-In?S Catalogue #002: Unboxing takes form as the url r-u-ins.org. At this url are links to each individual account as it specializes and networks with others. It is at this point of emergence that the clock begins to tick—how long can the new organism survive before it becomes brand fatigued, bootlegged, versioned, ripped off, or before it simply runs out of the raw material of production? How long can each user last before they take themselves out of the exchange routes again?

Since the first R-U-In?S Catalogue, which showed the product of 2009's exchanges, many things have mutated in the R-U-In?S network. Instead of marking the new changes with another publication, the catalogue now becomes the product website, available for real-time shopping of each mutation as it tries to exist in the instantly viral and blatantly aggregational ecosystems of social networks.

In addition to user accounts are the new aggregational architectures that have now begun to contextualize the project (galleries, magazines, blogs and other publications).

 



10.2010
ART LIES QUARTERLY ISSUE #67, HOUSTON (Printed and Online)
"R-U-In?S Flexible Display (E-Paper Slab for Art Lies)"


09.2010
SUPER SUPER MAGAZINE ISSUE #22 "THE BEYOND", LONDON (Printed)
R-U-IN?S ENCRYPTED CONNECTION: SECURE SITE #001

Visual-Aids
.org & Blackmoth.org with supporting content from R-U-In?S


supersuper

Part of COVER STORY: "BEYOND REAL"

Feat. Nike7up, K Realness, R-U-In?S, FSOL,
Lil B, Dis Mag, Salem, Onohtrix, Dem Hunger, etc. etc.

SPRING 2010 (2011 RELEASE)
K48
ISSUE #8 "ABRAK48DABRA",
NEW YORK (Printed)
R-U-IN?S
"Similar Image Haul: Magic Eye XD"




Some Artists in K48 ISSUE 8:

FATIMA AL QADIRI & KHALID AL GHARABALLI, KARI ALTMANN \ R-U-IN?S, AYSHAY, HACKWORTH ASHLEY, BOOKWRMZ, ROBERT BITTENBENDER, BRENMAR, OLAF BREUNING, ALEX DA CORTE, DIS MAGAZINE, AMY GRANAT, HOUSE OF LADOSHA, RACHEL HOWE, BATTY HUGS, LIGHT ASYLUM, MIRROR MIRROR, NGUZUNGUZU, SALEM w/MARC JASON, AUREL SCHMIDT, BEN SCHUMACHER, TEENGIRL FANTASY, GRANT WORTH & MANY MORE

 



 

01.2010 R-U-IN?S CATALOGUE #001
by Kari Altmann with supporting contributions from Iain Ball, Matteo Giordano, Sebastian Moyano in 2009


The first R-U-In?S catalogue reveals the products created by the R-U-In?S network in 2009. By aggregating and repurposing existing product imagery, content was re-branded or bootlegged into new memes and architectures with critical intent. Each account represents a brand or a set of brands (lifestyle) and only when the imagery is aggregated together does the new product begin to take form. The first catalogue was a way of reconciling the activity between each participant's content set to expose the ideas and materials that were exchanged back and forth.